Susan Kaprov
 Precambrian Waltz 1996, photomontage on aluminum, 8 x 40 feet Commissioned by the Port Authority of New York and New Jersey, © S. Kaprov
Susan Kaprov's work, inspired by nature and scientific themes, demonstrates a smooth synergy of traditional media and digital technology, where randomness often comes into play. Her output consists of digital prints, mixed-media paintings, and large-scale commissions for public spaces.
Susan's work is included in numerous public collections, such as the Metropolitan Museum of Art, Museum of Modern Art, Yale University Art Gallery and has been commissioned by the Polytechnic University at Metrotech Center, Port Authority of New York & New Jersey, The City University of New York (CUNY) and many others. http://www.kaprov.com
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Ken Knowlton
 STEPHANIE virtual M&M candies. 10" x 8" © 2001 Ken Knowlton |
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Ken Knowlton has a BEP and an MS from Cornell and a Ph. D. from MIT, that led to a career first in computer graphics, including a bit of art-technology collaboration, and later in computer-assisted art. Over the past 40 years (20 at Bell Laboratories) He has developed several experimental computer languages and techniques, starting with the earliest bitmap graphics system for moviemaking by computer.
His computer-assisted artwork since about 1980 has consisted mostly of actual or virtual mosaics, works deliberately made to be seen differently at different scales: from afar (or small), most of them are portraits, but at close range each is a vast array of seashells, dominoes, pottery shards, puzzle pieces, or other small objects or symbols. http://www.knowltonmosaics.com
 Hunter's TV studio offers state-of-the-art A/V equipment for professional presentations, but also enough room for a growing number of ASCI members and guests.
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