Sarah Vinci

Digital Prints
• • • Sarah G. Vinci • • •
IUD, 2000, 20x24", laser print on 100% cotton rag french paper Shotgun, 2000, 20x24", laser print on 100% cotton rag french paper
• • • Artist Statement • • • The myth of photography is that it has the ability to depict the truth. Fact, fiction or fantasy, the viewer ultimately decides where the power of reality resides. My work utilizes digital technology to construct and explore a photographic montage. The images are generated traditionally and digitally, some new, some found, then manipulated and assembled with text. I am concerned with mnemonics and how an image can manifest an allegation that is germane to social documentary and the human condition. Through letters and journals, a history of cultural issues pertinent to women of their era is uncovered, a psychological portrait is drawn.
• • • Selected Exhibitions • • • 2000: Salon des Refuses, 20" x 24", Diego Rivera Gallery, San Francisco, CA Post-Baccalaureate Exhibition, San Francisco Art Institute, San Francisco, CA 2000 Annual Staff Exhibit, A.C.C.I. Gallery, Berkeley, CA Winter Exhibit, Still Lights Gallery,San Francisco Art Institute, San Francisco, CA 1999: Winter Group Exhibition, Mad River Post Design Gallery, San Francisco, CA Paris, La Creme de la Creme, Oakland, CA Assembly Required - Public Art at 345 California Street, San Francisco, CA 1998: Images of the Virgin, Galeria Tonantzin, San Juan Bautista, CA
• • • Contact Info • • • sgvin1113@aol.com
Net Art winners

Digital Prints

• • • Sarah G. Vinci • • •

IUD, 2000, 20x24", laser print on 100% cotton rag french paper

Shotgun, 2000, 20x24", laser print on 100% cotton rag french paper

• • • Artist Statement • • •

The myth of photography is that it has the ability to depict the truth. Fact, fiction or fantasy, the viewer ultimately decides where the power of reality resides. My work utilizes digital technology to construct and explore a photographic montage. The images are generated traditionally and digitally, some new, some found, then manipulated and assembled with text.
I am concerned with mnemonics and how an image can manifest an allegation that is germane to social documentary and the human condition. Through letters and journals, a history of cultural issues pertinent to women of their era is uncovered, a psychological portrait is drawn.

• • • Selected Exhibitions • • •

2000:
Salon des Refuses, 20" x 24", Diego Rivera Gallery, San Francisco, CA
Post-Baccalaureate Exhibition, San Francisco Art Institute, San Francisco, CA
2000 Annual Staff Exhibit, A.C.C.I. Gallery, Berkeley, CA
Winter Exhibit, Still Lights Gallery,San Francisco Art Institute, San Francisco, CA

1999:
Winter Group Exhibition, Mad River Post Design Gallery, San Francisco, CA
Paris, La Creme de la Creme, Oakland, CA
Assembly Required - Public Art at 345 California Street, San Francisco, CA

1998:
Images of the Virgin, Galeria Tonantzin, San Juan Bautista, CA

• • • Contact Info • • •

sgvin1113@aol.com

Net Art winners