art-sci reviews
   

Reviews are by Flash Light except where indicated otherwise
Information about NYC Art-Sci reviewer, Flash Light


A Review of Nam June Paik's Memorial
Guggenheim Museum
1071 Fifth Avenue, NYC
April 26, 2006
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Consumption of Empire
solo show by Brandon Ballengee
at Archibald Arts
602 Tenth Ave #2RS, New York, NY 10036
Jan. 14-Feb. 26, 2005
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Contemplating Our Navel,
"Omni Series:  Art And Genetics in a Digital Age"
By Christine Twomey
at Tribes Gallery
June 3 - July 30, 2004
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Ward Shelley at Pierogi 2000
Jan. 2 - Feb. 9, 2004
177 North 9th Street, Williamsburg, Brooklyn 11211
Noon to 6 pm Friday through Monday and by appointment
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"space.color.motion"
Bitforms Gallery 529 West 20th Street, NYC
12/5/02 - 1/11/03
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The Whitney Biennial 2002:
The Era of Multi-Dimensional Sculpture Arrives
(An edited version of this review first appeared in Sculpture in October
2002)
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"Golan Levin/Casey Reas"
at Bitforms Gallery
529 West 20th Street, NYC   
2/21/02 - 3/30/02
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Maximalism
Hiro Yamagata's "NGC6093"
at Ace Gallery, NYC
275 Hudson Street
May 15-July 28, 2001
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The Paintings of Rene the Elephant in "Dumbo Double Deuce"
10 Jay Street, 9th floor, Brooklyn, NY
May 17 - June 6, 2001
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The Medium as Epiphany
John Lohse at Manhattan Motors
December 14, 2000
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Dancing with Mother Nature
"Natural Acts"
an installation by Linda Herritt
Florence Lynch Gallery, June 16 - 24, 2000
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Digital Stories
Dana Atchley Performing "Next Exit"
the Kitchen, NYC, June 3, 1999
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Keith Sonnier at Leo Castelli gallery
March 18 - April 26, 1997, New York City
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Roxy Paine at Ronald Feldman gallery
March 1 - April 26, 1997, New York City
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"THE NEW CULTURAL GATEKEEPERS:
WHO IS DEFINING DIGITAL ART AND HOW DO THEY DEFINE IT?"
January 27, 1997, New York City
by Cynthia Pannucci
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MIXED-MEDIA
Mixed-Media Installation by
Deborah Brackenbury & John Gray
University of Florida, Gainsville, February 14, 1997
by Rose Stasuk
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Documentary video from 9 Evenings:
Experiments in Theater and Engineering,
Oct. 13-23, 1966, shown at Anthology Film Archives,
NYC, on September 27, 1996 
by Diana Meckley

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